Basilea, Daniel Blaise Thorens Art Gallery
Where: Basel, Daniel Blaise Thorens Art Gallery Date: 1977 There are few documentary records of this exhibition, which is still under investigation.
Sidney (Australia), 1977
Where: Sidney (Australia) Date: 1977 There are few documentary records of this exhibition, which is still under investigation.
Pittura contemporanea
Where: Sesto San Giovanni (Mi), Elle et Lui Club Date: 1977 This collective exhibition was organized in a very unusual venue: a beauty salon. Among the artists who took part in the event was Omiccioli.
Modern Art, Nairobi
Where: Nairobi (Kenya) Date: 1978 There are few documentary records of this exhibition, which is still under investigation.
Tokyo (Giappone), 1978
Where: Tokyo (Japan) Date: 1978 There are few documentary records of this exhibition, which is still under investigation.
Omaggio alla Somalia
Where: Rome, Istituto Italo-Africano Date: 1980 This exhibition focused again on Novaresio’s African memories. The paintings displayed here were largely appreciated by the public and critics. After the exhibition, all the works were taken to the Somali Embassy to be selected: inexplicably, they remained there for seven years.
Godiasco-Salice Terme, biblioteca comunale
Where: Godiasco-Salice Terme, Public Library Date: 1983 After many years, Novaresio returned to hold a solo exhibition of watercolours. These works portrayed the landscapes of the Staffora Valley around Godiasco, a small town of the Oltrepò Pavese, where he had moved in 1971. His love for this place was evident:..Leggi di più
Via Crucis
Where: Voghera, Palazzo Gounela Date: 1986 Through essential but powerful etchings, in 1949 Novaresio illustrated the cycle of the Via Crucis. After more than thirty years, the etching plates were ‘rediscovered’ and given to Novaresio’s friend, the lithographer Miles Fiori. Images and scans Prefazione catalogo, Fabretti
VII Mostra Regionale d’arte
Where: Genoa, Palazzo dell’Accademia Date: 1953 Critics welcomed the exhibition because the works displayed here provided a complete overview of the various trends within the Ligurian art. Novaresio won the award for his Natura morta [Still life], although Crocefissione [Crucifixion] received better reviews in newspapers. Images and scans Il Secolo..Leggi di più
Johannesburg (Sudafrica), The Vanguard Gallery
Where: Johannesburg (South Africa), The Vanguard Gallery Date: 1956 Another example of Novaresio’s international activity. The local press was very interested in this exhibition, pointing out the versatility of his drawing technique: this stylistic choice was considered particularly suitable to portray the African people and landscape, which the artist captured..Leggi di più